Publisher

169169

Journal PANTUN: Jurnal Ilmiah Seni BudayaPANTUN: Jurnal Ilmiah Seni Budaya Abstract

Hip-hop music serves as a distinctive platform for expressing identity, struggle, and social reform at the convergence of art, religion, and culture. In Indonesia, hip-hop has fostered forms that confront urban challenges while also incorporating spirituality and contemporary religious beliefs. It aims to elucidate how hip-hop music may articulate the ideology and values of Islamic teachings, while also analyzing the depiction of post-Islamism in the collaborative hip-hop track Ebith Beat A. The research methodology employs Charles Sanders Peirces semiotic analysis. The studys results indicate that the lyrics of the hip-hop song by Ebith Beat A. Collaboration is rooted in Islamic doctrine, with its foundational principles derived from the Quran and sunnah (hadith). All of these elements constitute teachings found throughout Islam. The music ideology serves as a negotiation tool employed by Ebith to communicate Islamic teachings through hip-hop music, which stems from the street music subculture. This signifies the portrayal of Post-Islamism in hip-hop music in partnership with Ebith Beat A.

Conclusion

The researcher concluded from the results of the study that discussed the representation of post-Islamism in the hip-hop music song Ebith Beat A, a collaboration, that the results of this study show that the Islamic ideology contained in the lyrics of the hip-hop collaboration song Ebith Beat A is a modernist Islamic ideology that encourages the reinterpretation of Islamic teachings to be in line with the times, including the advancement of science and technology, and prioritizes rationality of thought and contextual approaches to religious texts.This can be seen from the delivery of Islamic values, which are usually conveyed through religious pulpits but are now conveyed through hip-hop music performed by EbithBeat A as a hip-hop musician.Hip-hop music is a cultural movement that began in the 1970s among the African-American community in New York City (Suciati, 2022).Hip Hop was first created by African-Americans as a form of music to express the resistance, protest, regret, and oppression experienced by Black people in America.now it exists and negotiates with Islamic ideology so that it can present a new way of representing Islamic values.

Future Research

Berdasarkan penelitian ini, terdapat beberapa saran penelitian lanjutan yang dapat dikembangkan. Pertama, penelitian lebih lanjut dapat dilakukan untuk mengeksplorasi bagaimana hip-hop dapat digunakan sebagai media dakwah yang efektif di kalangan remaja, dengan mempertimbangkan faktor-faktor seperti gaya bahasa, musik, dan visual yang relevan dengan selera mereka. Kedua, penelitian dapat difokuskan pada analisis perbandingan antara hip-hop yang mengangkat tema-tema keislaman di Indonesia dengan hip-hop serupa di negara-negara lain, untuk mengidentifikasi persamaan dan perbedaan dalam pendekatan dan dampaknya. Ketiga, penelitian kualitatif mendalam dapat dilakukan untuk memahami pengalaman dan perspektif para musisi hip-hop yang menggunakan musik mereka untuk menyampaikan pesan-pesan keislaman, serta bagaimana mereka menghadapi tantangan dan kritik yang mungkin timbul. Dengan menggabungkan ketiga saran ini, diharapkan dapat memberikan pemahaman yang lebih komprehensif tentang peran hip-hop dalam penyebaran nilai-nilai Islam di era modern, serta memberikan kontribusi bagi pengembangan strategi dakwah yang lebih kreatif dan efektif.

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Pages	13
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