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LingPoet: Journal of Linguistics and Literary ResearchLingPoet: Journal of Linguistics and Literary Research

This paper outlines the theoretical framework Criticising Orientalism From Within (C.O.F.W.) that foregrounds the methodology of research for the thesis Orientalism From Within: A Critical Study Of Pandering And Catering To The West In Three Contemporary Indian-English Novels (2006) and the book Orientalism from Within Arundhati Roy and Her Contemporaries (2010). The workings of imperialism and neo-colonialism in the contemporary situation is pitted against postcolonialism via Indian-English literature, and explored in the chapter titled Criticising Orientalism From Within specifically and the study generally. This chapter is an eclectic fusion of six modern theorists. The slant or methodology used is criticism and analysis of the three novels vis-à-vis an eclectic or diverse theoretical framework. However, this paper concentrates on Dipankar Guptas book India is for Sale and his term Orientalism from Within that this research has borrowed, adapted and adopted as a title to the theoretical framework, the thesis, and the book mentioned above.

emphasizes the shift from Western political imperialism to its present forms of cultural and economic imperialism.Indian-English fiction continues to reproduce colonial-era stereotypes and frame India through images of exotica.These novels reiterate Western ideologies, reinforcing orientalist tropes that once legitimized empire.

Penelitian lanjutan dapat dilakukan dengan mengeksplorasi bagaimana representasi India dalam novel-novel berbahasa Inggris kontemporer memengaruhi persepsi pembaca Barat terhadap budaya dan masyarakat India, serta bagaimana hal ini berkontribusi pada dinamika kekuasaan global yang berkelanjutan. Selain itu, studi komparatif dapat dilakukan dengan menganalisis representasi India dalam berbagai bentuk media, seperti film dan seni visual, untuk mengidentifikasi pola dan tren yang lebih luas dalam representasi orientalistik. Terakhir, penelitian dapat berfokus pada peran penulis India diaspora dalam membentuk narasi tentang India untuk audiens global, dan bagaimana mereka menavigasi antara identitas budaya mereka dan harapan pasar sastra Barat, dengan mempertimbangkan implikasi etis dan politik dari pilihan representasi mereka.

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