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PPSDP International Journal of EducationPPSDP International Journal of Education

This qualitative study investigates the strategies for teaching Javanese gamelan at SMAN 1 Kasihan Bantul in Yogyakarta, Indonesia, with a specific focus on how these strategies facilitate character education. Employing a field research design, data were collected through direct observation of gamelan lessons and semi-structured interviews with one teacher and participating students. The findings reveal a contextually designed, gradual pedagogical approach that effectively accommodates students with heterogeneous, primarily beginner, musical backgrounds. Key strategies included prioritizing comfort and familiarization over technical mastery, selecting simple Lancaran and Ladrang repertoire with variations (racik), and integrating theory contextually into hands-on practice. This approach proved effective in boosting student motivation, engagement, and musical understanding. Beyond musical skill acquisition, the learning process served as a powerful medium for instilling character values such as mutual respect (e.g., through customs like not stepping over instruments), discipline and emotional regulation (through ensemble cohesion), and inclusive leadership (symbolized by the kendang players role). The study concludes that the gamelan program at SMAN 1 Kasihan Bantul offers an integrative, culture-based model for arts education, relevant to both music pedagogy and local cultural preservation in secondary schools.

This study demonstrates that gamelan learning at SMAN 1 Kasihan Bantul is a multifaceted educational practice that transcends the mere acquisition of musical skills.The contextually designed, gradual pedagogical approach emphasizing comfort, hands-on practice, and carefully selected repertoire proves effective in engaging students from diverse musical backgrounds.More significantly, the study reveals how the inherent structure of gamelan as a collaborative ensemble serves as a powerful and authentic medium for character education.Values of mutual respect, discipline, emotional regulation, and inclusive leadership are implicitly yet effectively transmitted through the collective act of music-making.The findings underscore the potential of culture-based arts education to contribute to students holistic development, integrating cognitive, psychomotor, and affective learning domains.While challenges related to facilities and participant consistency persist, the adaptive strategies employed by the teacher highlight the critical role of the educator as a creative facilitator.This study contributes an empirical model of culturally responsive pedagogy from an Indonesian perspective, offering valuable insights for educators and researchers interested in the intersection of arts education, cultural preservation, and character development in diverse educational contexts worldwide.

Berdasarkan penelitian ini, beberapa saran penelitian lanjutan dapat diajukan. Pertama, penelitian lebih lanjut dapat mengeksplorasi bagaimana strategi pembelajaran gamelan yang adaptif dapat diimplementasikan dalam konteks sekolah dengan sumber daya yang terbatas, dengan fokus pada inovasi penggunaan teknologi atau sumber daya lokal untuk mendukung pembelajaran. Kedua, penelitian kuantitatif dapat dilakukan untuk mengukur secara empiris dampak pembelajaran gamelan terhadap perkembangan karakter siswa, dengan menggunakan instrumen yang terstandarisasi dan melibatkan sampel yang lebih besar. Ketiga, penelitian lintas budaya dapat dilakukan untuk membandingkan strategi pembelajaran gamelan di berbagai daerah di Indonesia, serta mengidentifikasi praktik terbaik yang dapat direplikasi dan diadopsi untuk meningkatkan kualitas pendidikan musik secara nasional.

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